Fallout, the television show

Bethesda/Zenimax (you know those folks, The Elder Scrolls, Fallout 3, that sort of thing) registered some new trademarks just recently.

On 5 February 2009, Bethesda Softworks LLC applied for the Fallout trademark for “Entertainment services in the nature of an on-going television program” (s/n 77663853) and for “motion picture films about a post-nuclear apocalyptic world” (s/n 77663852). Obviously they already own all the other US trademarks to do with this game property at present.

Fallout, the film. Or the TV series. Hmm. Interesting notion.

Jack spams Utah legislature?

Unhappy with the fate of his the bill he drafted, disbarred Florida attorney Jack Thompson apparently sent enough emails to the Utah senate president Waddoups that he was asked to stop, including an image of GTAIV’s protagonist character getting a lap-dance, essentially calling it pornography.

Interestingly enough, the Utah legislature might agree with him in part, because when he sent that to the whole legislature, Waddoups decided to pass the matter on to the State Attorney General to see what action may be taken.

In a sense, Waddoups might be playing into Jacks hand (argh! Did anyone else just go to a scary visual place just then?) with this one. Is it offensive material, or is it not? Or is it just that it is inappropriately out-of-place?

See also:

Utah Senate President Wants to Prosecute Jack Thompson Under CAN-SPAM Act

http://www.sltrib.com/news/ci_12142617

Lessons in Future Publishing

So, Edge Online’s staff appear to have all quit? Why? Because editorially, it appears that Future Publishing basically wanted the online arm to work editorially just like the print arm.

“Edge-Online’s editorial control has been brought in line with the magazine in an effort to create a “strong, consistent voice” for the brand, according to Future Publishing.”

Now, Future Publishing… I like you folks. We’ve got history. You and I go way back, and I’m fond of you. So I’ll be gentle.

Dumbass move.

I think that’s about as gentle and diplomatic as it gets in this particular case.

What you’ve basically suggested is the equivalent of saying that there’s no effective difference between TV and the cinema screen. Your print arm and your online arm have as much in common as television and cinema — which is to say a whole lot. The things that they have in common make them strong. The things that they don’t have in common make them useful and appropriate and relevant. Each to their own.

Gloss over those differences and you lose usefulness, appropriateness and relevance — and you’d be economically better off shutting one of those arms down. In fact, that’s pretty much what you just did, effectively. Staff gone, and most of the readers will go with them.

Future, you should know better. I always thought you did, in fact. You can have a strength and consistency, but you need different voices for different media. That’s an old, old lesson now, from before many of us were born. I believe it’s written down somewhere.

Watch out for those carrot-eating cyclists on TV

Given that the number of gamers worldwide who have played or presently play violent video games is roughly estimated to be somewhere around 250 million, and the number of shootings, school shootings and violent crimes associated with violent video games is (roughly) 10-20 per year….

Would that not suggest that there is some alternative explanation for these outbursts of violence than the video games?

In fact, there’s a far stronger correlation between violent crimes and eating carrots, or riding bicycles than there is for video games.

Besides, didn’t we used to blame these shootings on television? When did we stop blaming TV for violent crimes?

Brass knuckles

Since there’s no controversy about violent video games, and violence and video games, of course Electronic Arts figured it would be a great idea to send out brass knuckles with the promo material for Godfather II.

That’s like bungee-jumping using a length of iron chain, you know, to prove it’s safe – or some other staggering, self-harming non-sequitur.

As a promotional item, it would come from their marketing department, so we must assume that the marketing department hasn’t read a newspaper or watched any TV in, oh, the last ten years or so. Leastways, nothing about – you know – games.

Now EA is trying to take the things back. Turns out that possession of them is a crime in a lot of places in the USA. Sending them across state lines, too. Of course, if they’re trying to get people to send them back, are they not now inciting the recipients to break the law by sending the items across state lines a second time?

What the heck was anyone thinking?

How much do all those unconstitutional video game laws cost, anyway?

Around the USA, umpty states (it must be about a dozen now) have passed gaming bills that seek to impose fines for minors purchasing mature-rated video games and computer games. Every single one of these has been found to be unconstitutional, yet what is functionally the same bill keeps popping up in US state legislatures.

If you’re a US taxpayer, and your state hasn’t yet tried one of these – or is going around again, you may wish to speak with your congressman about this:

  • Each of these bills is expensive to pass. If they’re being really cheap and lazy and just copying a bill that was already struck down on constitutional grounds, that costs around US$50,000 from State taxes. If the bill isn’t passed, you’re looking at maybe half of that just for the attempt.
  • If they’re actually coming up with a modification or a new bill, you’re looking at about US$250,000 from State taxes.
  • When the bill is inevitably overturned for the simple reason that it violates the US Bill of Rights, it’ll cost State taxpayers another US$250,000 or so, if the State decides to appeal.

So, everyone involved in passing the bills knows the bills cannot stand. If they don’t, then you might want to find yourself another representative next time the elections roll around.

But if everyone knows – why spend all this money and fuss on them? Well, votes, really. This is all about public image. The whole thing is supposed to show that they care about your kids. If some of that money was going to potholes or schoolbooks or park maintenance, I might believe it, but no — it’s being burned, pretty much.

Be sure to tell your representative how you expect her to vote when it comes to your taxpayer money on the line here. A half a million or so buys a lot of schoolbooks, and fills a lot of potholes. You might think that the money was rather better spent than on vain posturing about video games.

As for any talk about red states or blue states or political affiliations… I don’t really care. And neither should you, if your representatives aren’t… you know… representing your state and community’s best interests — regardless of which party they are a member of — then they’re not really doing the job now, are they?

Fallout 3: Now 20USD more expensive on Steam

US$69.99. Golly. Thanks to regional pricing, it is US$20 more than you’d pay for the same files via Steam in the USA. If you’re in the USA, the same little clicky purchase button will only cost you US$49.99.

In fact — it is cheaper for me to go to the store (including the cost of gas), buy it off the shelf, and I can still afford to have a meal while I’m at the mall, with the difference.

Oh, and the unlock date. I get to play it a day earlier if I purchase from the store down the  road. (Actually, if you’re in the USA the Steam edition unlocks several days earlier than it does here)

Someone actually sat down, and made the decision to price the same software and data-files 40% higher. That’s forty percent. Did I mention that it was forty percent more?

Now you could talk exchange rates because our local dollar is a bit soft versus the US dollar right now — but the thing is, we’re being charged in US dollars anyway, so this is 40% after the exchange rate is applied.

I don’t see how this is supposed to encourage me to buy the Steam version. Fix the pricing. Then we’ll talk.

Maybe publishers could even help make a chunk of the Steam catalogue available outside of North America. That would be nifty too.

But.. baby steps. Let us get that pricing silliness sorted out first.

Why can’t we ever go someplace nice?

Play It NowIt’s just stopped raining, but there’s still the occasional flash of lightning and rumbles of thunder. I’m trudging along what’s left of the road here. My radio is picking up a faint signal, thickly accented, but I can’t quite make it out over the wind.

Off to my right there’s gunfire. I glance in that direction, but it’s some distance away. The radio crackles with curses in Russian, and I hear more of it shouted on the wind. Nothing to do with me.

I trudge across the bridge. A pack of mutant dogs leap across the road on the far side a few metres in front of me, drawn to the men and gunfire. I’m not as interesting and they pass by without turning on me.

A battered old bus stop up ahead. Three men huddle around a makeshift fire under the shelter. One strums a tune on some ancient guitar. One stands as I approach. We look at each-other, and he sees that I am unarmed and shoulders his gun and crouches down with the others. I’m not any of their business either.

I listen for the crackles and clicks from my Geiger counter, and the blips from my anomaly detector, watching closely for the wavery refraction in the air that signals an anomaly. They’re all over (along with old patches of fallout), and what you can’t see can hurt you. There’s wind and dust and leaves blowing about and that doesn’t make it any easier.

There’s the shell of an old factory or mill or whatever the hell it is up ahead on my left. I pause and pull out my binoculars, and check the gaping windows and holes in the walls for signs of movement. Some bandit might have decided to stage an ambush, or some paranoid asshole might take a pot-shot at me for giggles.

There’s no sign of anything alive, though the air swirls in a couple places, kicking up loose crap. Dust-devils, maybe. More likely anomalies, but maybe just dust-devils.

I’m already carrying more than I care to, but who knows — there might be something useful stashed in a dark corner that hasn’t been looted yet, or someone else may have left a cache hidden. It’s worth checking before I try to bypass the military checkpoint up ahead. I have a long way to travel, and maybe I can find something I’m willing to trade with the boys at the bus stop for some food.

Up ahead, a blind mutated dog is dragging a corpse across the road towards the bushes. I pull out my pistol and fire a round in its general direction. The noise frightens it and it flees, rather than turning on me. It’s just like Christmas, and I hurry forward to see what useful items might be on the corpse.

It’s S.T.A.L.K.E.R – Shadow of Chernobyl. It’s a bit like The Elder Scrolls: Oblivion. Oblivion with cancer. Haunted cancer.

It’s drab, dreary, uncertainly translated into English. It’s got a ton of flaws. It’s probably not your kind of game. It may not be mine either. Damn, though, it’s atmospheric, and partly based on a Russian book by the Strugatskys and film called Stalker, directed by Andrei Tarkovsky.

In “the zone” around Chernobyl where a second ‘event’ took place twenty years after the first, well, nothing’s very nice. There are mutants and there are opportunists and there are the military. About the best you can hope for is that the military leaves you alone, the mutants head in the other direction and that the opportunists don’t mistake you for an opportunity. Being left alone is right up there with eating regularly, or finding a cache of anti-radiation drugs, ammunition or medical supplies.

There’s a strong emphasis on combat. You’ll be packing ammunition everywhere, and using it. Don’t forget to pack lunch, either, and be prepared for your plans to be interrupted.

One thing for certain there’s always something going on somewhere nearby. The sounds of shouting and gunfire are even more common than the excited crackle from your Geiger counter.